Tuesday, March 22, 2011
Narative Theory
For GS we had to read an exert from a book on Narrative Theory. For me, what was largely the most helpful part was the section about lighting. For me, I do enough photography that I've given a large amount of thought to the angles at which things are shown. However, because I have always been working in a very casual, and minimal, setting, I have yet to really experiment with light. As such, this section which explained the different ways to use light to your advantage when working with any medium was incredibly helpful. For example, the use of a darkly lit surrounding and a slight outline lighting on two people to suggest that there is a romantic setting had never occurred to me. After reading this article, I want to use my next few rolls of film to try out a bunch of different things with a flashlight or some such to see how I can use light to my advantage without having to be shooting on a large set-up.
Wednesday, March 9, 2011
Sooooo much structure...
Last assignment for this batch. We were told to write a poem with a ridiculously ridged format (see if you can guess it), and the put them into a comic. I had originally wanted to maintain some semblance of originality by making my comic from a picture of a graveyard and using each of the tombstones as "panels," but that didn't work out because my camera apparently doesn't expose half my film to light at random intervals, so I lost the vast majority of my pictures. So here is what I wound up with instead.
The images themselves were made using darkroom techniques, and the only thing I did with photoshop was the text an positioning. Any framing was done chemically. By the way, I'm not sure how effectively this was communicated, but I actually have a fairly positive view on death as a sort of freeing inevitability. Everyone is going to die, and the world is so old than virtually nothing we do will matter in the long run. The trick is to make the most of life while you got it, and see if you can help a couple other people while you're at it cause, hey, why not?
The images themselves were made using darkroom techniques, and the only thing I did with photoshop was the text an positioning. Any framing was done chemically. By the way, I'm not sure how effectively this was communicated, but I actually have a fairly positive view on death as a sort of freeing inevitability. Everyone is going to die, and the world is so old than virtually nothing we do will matter in the long run. The trick is to make the most of life while you got it, and see if you can help a couple other people while you're at it cause, hey, why not?
Newspaper Poetry
So, another assignment. This time, we had to remove words from a newspaper to create a poem. I made two along a similar idea.
Both of these are made from the idea of having a "poem" which makes absolutely no sense, so the reader is left gripping for a meaning that isn't there, and applying their own (though the first does have a little bit of a theme). Yet, the second they get to the last few words where it becomes clear to them that this was all nonsensical, and everything makes sense in a last bit of humor.
Both of these are made from the idea of having a "poem" which makes absolutely no sense, so the reader is left gripping for a meaning that isn't there, and applying their own (though the first does have a little bit of a theme). Yet, the second they get to the last few words where it becomes clear to them that this was all nonsensical, and everything makes sense in a last bit of humor.
The future
For gs, I was assigned to make a single panel image in the same style as a work called "The City" which depicted the past, or future, as related to a scene from the work. I chose the first image:
http://www.nebulous-cargo.com/masereel/woodcuts/city1.html
and made this:
I suppose it has a message to it, or some such. It's my personal belief that nothing we do can or will have drastically lasting consequences, and that the future of this bustling rail station is a forest around a single, abandoned track is a reminder of this.
http://www.nebulous-cargo.com/masereel/woodcuts/city1.html
and made this:
I suppose it has a message to it, or some such. It's my personal belief that nothing we do can or will have drastically lasting consequences, and that the future of this bustling rail station is a forest around a single, abandoned track is a reminder of this.
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